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          With the primary reason attributed to the spread of home baths, the number of sento, traditional Japanese public bathhouses, has significantly decreased. According to Statistics Bureau of Japan (2011), the possession rate of bathhouses in Japan was reported at 95.5% in 2008. During periods when home baths were not common, sento was an essential part of Japanese lifestyle, experiencing its peak in 1968 with 17,999 establishments, but the number has kept declining to around 1,865 in 2022, a surprising 90% decrease in just half a century (TSR, 2022). In Tokyo, the number of sento has peaked at 2,678 in 1968 but fell to 633 in 2015 (Machida, 2016). It decreased by about 300 over the 10 years since 2011, continuing to decline each year (see Figure 1) (Tokyo Sento, n.d.). Aside from the popularity of home baths, the increase in bathing fees also contributes to the decline in customers. The current bathing fee for sento in Tokyo is uniformly 550 yen, but around 35 years ago, during the late years of the Showa era, it was less than 300 yen (Tokyo Sento, n.d.). The practice of regularly visiting sento is no longer a requirement, and its social significance is fading. In addition to the diminishing customer base, factors such as rising utility costs, the aging of sento owners, and the lack of successors have also contributed to business difficulties and the decline (Sato, 2006, p. 282).

Figure 1. Decreasing number of sento in Tokyo

Source: Created by the researcher based on the data from Tokyo Sento (n.d.)

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          While previous literature (e.g., Butler, 2005; Wynn 2014; Clark, 1994; Leutner, 1985) shows that sento has historically served various social functions including religious rituals, therapeutic practices, hygiene, and relaxation, it has most importantly served as social gathering places in Japan due to the nature of communal bathing. However, since the late 1960s, the number of sento has declined, and its traditional role as a center of community communication and social interaction has almost disappeared (Clark, 1994, p. 76).

          This paper employs the concepts of “connectedness” and “a sense of belonging,” which, although often used interchangeably, are distinct. A sense of belonging is associated with symbolic spaces that feel familiar, comfortable and secure, and to which an individual feels emotionally attached (Robinson & Truscott, 2013). These spaces, such as family and the workplace, may be formalized through contracts, fees, or initiation ceremonies. However, belonging does not always require formalization, and even when formalization occurs, it may not result in a genuine sense of belonging. Thus, a sense of belonging is tied to subjective notions of identity. In contrast, connectedness refers to participation in societal organizations or social networks (Crisp, 2010), encompassing the quality and the number of connections with people and places (Robinson & Truscott, 2013). It is possible to be connected without feeling the emotional attachment typically associated with belonging. While connectedness and a sense of belonging can coexist, there may also be a causal relationship between them, or each may exist independently (Crisp, 2010).

This paper revolves around connectedness and a sense of belonging, focusing on individuals’ participation in social networks and organizations, as well as the development of a sense of belonging. As Umberson and Montez (2010) argue, these types of social relationships contribute to one’s well-being and are of significant importance. Additionally, Crisp (2010) also notes that most people have an inherent need to feel a sense of belonging and experience it to varying degrees across different relationships, settings, and places (p. 124). However, alongside the decline of sento and their diminishing roles as social gathering places as discussed above, there has been a broader erosion of social connectedness and a sense of belonging in contemporary Japan, particularly following the collapse of the economic bubble in the early 1990s and amid current social dynamics.

          A declining sense of belonging among individuals, as Allison (2015) demonstrates, is deeply associated with changes in the structures of family and the workplace, following the economic turmoil. The concept of the “good life” in Japan has traditionally revolved around family, with marriage and family formation serving as key markers of social status and belonging. However, the economic turmoil following the bubble burst, accompanied by the rise of neoliberal policies, led to job insecurity and overall instabilities about the future among individuals. Having a family became increasingly risky, and broader social trends began to move away from marriage and family. As marriage rates decline and fewer form families, or maintain stable employment, an increasing number of individuals are likely experiencing a sense of detachment from society.

          Additionally, the decline of the “Japanese management style,” with its emphasis on long-term employment and job security, has weakened a strong sense of company loyalty. In this context, the workplace––once a space where individuals could feel a sense of belonging––no longer likely to fulfill that role (Allison, 2015).

Furthermore, COVID-19 has contributed to decreased participation in social networks and organizations. The pandemic has accelerated feelings of isolation, particularly through the shift to remote formats. In this context, loneliness, diminished connectedness, and a weakened sense of belonging have become defining characteristics of contemporary Japanese society. The decline of sento within this broader context underscores a significant social challenge and the weakening of the social fabric, suggesting that many individuals are losing, or have already lost, important sources of social relationships. This highlights the crucial need for alternative spaces and initiatives to address these social concerns.

          This article underscores how contemporary sento and sento-related establishments in Tokyo offer alternative spaces for fostering individuals’ connectedness and sense of belonging, extending beyond traditional social institutions like family and the workplace. The study adopts the definition of “sento” found in the Public Bathhouse Law (Law No. 139, enacted in 1948), which defines it as a “‘general public bathhouse’ or ‘ippan koshu yokujo’ (一般公衆浴場) that serves as a facility necessary for the health and hygiene of local residents in their daily lives, particularly referring to the so-called ‘sento’ where the bathing fees are regulated by the Price Control Order (Imperial Order No. 118, enacted in 1946)” (Ministry of Health, Labour and Welfare, n.d.).

          Beyond the descriptive findings regarding how the studied sento environments foster social connections and a sense of belonging, this research engages with theoretical frameworks, including copresence, alone-together, a third place, and ibasho. The paper explores how these frameworks are interrelated with the objectives of the sento spaces under study in promoting social connectedness and fostering a sense of belonging.

          The research focused on three case studies conducted in Tokyo: two sento establishments––Komae-yu in Komae City and Denki-yu in Sumida Ward––and a shared space, Kosugi-yu Tonari, which is associated with and located next to Kosugi-yu, sento in Suginami Ward. Amid the decline of sento, all three establishments offer additional value beyond traditional bathing services. In this context, “additional value” refers to services that go beyond those defined by the Public Bathhouse Law, which aims to promote “the health and hygiene of local residents in their daily lives” (Ministry of Health, Labour and Welfare, n.d.). Specifically, the research defines additional value as services that provide reasons for people to visit sento establishments beyond bathing. These may include events, new aesthetic values through designer architecture, saunas or dining areas, and shared/coworking spaces.

          As the number of sento continues to decrease, these reconfigurations of the sento experience reflect an effort to respond to modern societal needs. It is noteworthy that newly transformed sento may not only revitalize bathhouse spaces as social gathering places, but some of their innovative approaches may also offer new ways for promoting individuals’ connectedness and fostering a sense of belonging. In this regard, the study examines how the contemporary sento experience, along with additional values provided by these three establishments, addresses the contemporary social challenges and contributes to the promotion of connectedness and a sense of belonging. 

          This research demonstrates that while diminished connectedness and a deteriorating sense of belonging are large-scale issues in Japanese society, it is within micro-social spaces––such as sento––that these types of social relationships are strengthened, playing an important role in addressing this broader societal challenge. Few studies seem to have explored how contemporary sento establishments address these social challenges. The research question explored in this study is: In a time of declining traditional institutions like family and work, and amid diminished connectedness and a deteriorating sense of belonging, what alternatives do contemporary sento environments offer to help individuals find connectedness and a sense of belonging outside the traditional contexts?

Methodology

          The research performed ethnographic fieldwork conducted during two separate periods: from November of 2023 to January of 2024, and from September to December of 2024. The first period entailed three months of fieldwork at Denki-yu in Sumida Ward, while the second period included four months across the three case study sites: Denki-yu, Komae-yu in Komae City, and Kosugi-yu Tonari in Suginami Ward. During the first period, the researcher conducted a case study on Denki-yu, highlighting the landscape of contemporary sento experience in Tokyo, including the customer base, its social functions, and the business model for its continued business. The collected data was used for writing a research paper submitted in January of 2024 to the Urban Space Studies class at Sophia University. This research was motivated by the previous study, with a focus on social functions of contemporary sento and their initiatives for enhancing social well-being in Japan.

          Fieldwork in both periods involved in-person interviews and participant observation. Interviews usually lasted between one and two and a half hours and were conducted with Ryuichi Nishikawa, the owner of Komae-yu; Katsuhito Okubo, the owner of Denki-yu; and Ami Shirai, the manager of the shared space, Kosugi-yu Tonari. All interviews were recorded with the participants’ informed consent and transcribed for analysis. For Denki-yu, interviews were conducted twice with Katsuhito Okubo––once in each period of fieldwork, with the second interview serving as a follow-up. Since Kosugi-yu Tonari operates on a membership model as noted above, the researcher subscribed as a member since November 20th of 2024 and conducted participant observation at the site. During the preliminary phase of fieldwork in the second period, the researcher aimed to interview the owner of Kosugi-yu but was unable to do so due to the owner’s busy schedule. Consequently, the case studies focused on Denki-yu, Komae-yu, and Kosugi-yu Tonari. However, to enhance the comparative analyses with the other two sento establishments and gain a better understanding of the context surrounding Kosugi-yu, participant observation was still conducted at the sento. The findings were further developed and supplemented with references to the broader literature, and public resources related to these three case studies.

Overview of Three Research Sites & Their Distinctive Additional Values

(1) Komae-yu, (2) Denki-yu, & (3) Kosugi-yu Tonari

(1) Komae-yu (狛江湯)

          The first case study site, Komae-yu, is located in Komae-city (狛江市), outside the 23 urban wards of Tokyo, on the western side of Setagaya Ward. The owner, Ryuichi Nishikawa, is 46 years old. Komae-yu was opened in 1955 by his grandparents, and Nishikawa is the third generation to manage the sento. He began working part-time at the sento during his junior high school years. The second generation was managed by his mother’s four sisters. Since his family’s primary business was in the funeral industry, he took over the funeral business at the age of 19 or 20. While managing the funeral business, he also attended at Tama Art University. After graduating, he left the funeral industry, worked at a production company, and eventually return to work at Komae-yu. In 2022, Nishikawa succeeded the business and became the owner of Komae-yu.

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Figure 2. Ryuichi Nishikawa,

the owner of Komae-yu

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Figure 3. Exterior view of Komae-yu

          While working in the funeral industry, Nishikawa had to confront death and loss daily, which he found emotionally difficult. As a result, he developed a desire to “create something of his own.” Even before taking over Komae-yu, he had been envisioning various ideas for the sento. Since becoming the owner, he has worked on various initiatives to add value to the sento beyond traditional bathing services. The most notable feature of Komae-yu is its modern architecture (see Figure 4 & 5). The building was renovated between 2022 and 2023 by the architectural firm Schemata Architects, with graphic design by Rikako Nagashima. As part of the renovation, a Rouryu (löyly) sauna was added in response to the sauna boom, particularly among Japan’s younger generation. Furthermore, a café/bar called SIDE STAND, was established, serving craft beer and meals that non-bathers can also enjoy. Like Denki-yu, Komae-yu regularly hosts events, utilizing its sento space for activities such as rakugo, running events, pop-up collaborations with restaurants and shops, and Engawa-ichi, which resembles a small public market featuring food, merchandise, and various activities.

Figure 4. Resting area outside

the changing room at Komae-yu

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Figure 5. The layout of Komae-yu before renovation

(2) Denki-yu (電気湯)

          The second case study site, Denki-yu, is a sento establishment located in the Kyojima (京島) neighborhood in Sumida Ward (墨田区), on the eastern side of the 23 urban wards of Tokyo. The sento was founded in 1922 by the great-grandfather of the current owner, Katsuhito Okubo, who is 31 years old. Okubo is the fourth generation of his family to manage Denki-yu, having inherited the business in 2019 from his grandmother when he was 26. Before taking over the sento, he worked for the United Nations, focusing on SDG-related initiatives. However, upon learning that his grandmother, the third generation, was planning to close Denki-yu, he decided to dedicate himself to the business, believing that the loss of the place for community connection would be detrimental to local residents.

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Figure 6. Katsuhito Okubo,

the owner of Denki-yu

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Figure 7. Exterior view of Denki-yu

          The most distinctive added value that Denki-yu provides beyond bathing services is its events. Starting with Okubo’s generation, Denki-yu began hosting events, typically on Saturdays, which are its closing days. Utilizing the sento space, they host a variety of events including, DJ performances, live music, rakugo, and talk shows (see Figure 8). In addition to these events, some staff members write a novel titled Yoyo-toto (洋洋蕩蕩), which is updated and published weekly, and displayed on the wall within the sento space.

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Figure 8. A live performance

utilizing the sento space at Denki-yu

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Figure 9. View of the bathing area from the changing room at Denki-yu

(3) Kosugi-yu Tonari (小杉湯となり)

          Kosugi-yu Tonari (hereafter referred to as Tonari) is a unique initiative not found in other sento establishments. While some sento provide additional value by “utilizing their sento spaces,” Tonari, which is associated with and located next to sento Kosugi-yu in the Koenji (高円寺) neighborhood of Suginami Ward (杉並区), offers a membership-based shared space housed in a separate building. Tonari was launched in 2020 by ten regulars of Kosugi-yu, led by Yuichi Kato, the current owner of the shared space.

           The space of Tonari was previously a bath-less apartment owned by Kosugi-yu, which was scheduled to be torn down. Kosugi-yu itself, established in 1933, is currently owned by its third-generation proprietor, Yusuke Hiramatsu. In 2017, during a casual conversation between Kato and Hiramatsu at Kosugi-yu, the project “Sento Gurashi” (銭湯ぐらし) emerged, utilizing the apartment building for one year. In this project, Kato and nine other regulars of Kosugi-yu became residents of the apartment. In exchange for free rent and complimentary access to the sento, they contributed by its values through their respective fields, including connecting Kosugi-yu with tourism, music and other activities (Kato, 2023).

           Following the success of the project, part of which contributed to increased customer visits at Kosugi-yu, and after discussions with Hiramatsu, the ten regulars––who had found “a life with sento” or “sento no aru kurashi” (銭湯のある暮らし) particularly enriching during the project––decided to create a shared space to promote this concept to a wider audience. In 2018, the project was incorporated as a company under the same name, “Sento Gurashi,” and in 2020, they opened a shared space, named “Kosugi-yu Tonari.” The current manager is Anmi Shirai. Tonari is now members-only, offering a shared space with free access to Kosugi-yu, though with limited visits. Non-members can also access to Tonari through a weekend-only café called “Tonari Kissa” (となり喫茶), and can use the shared space on the weekends via a “drop-in” system for a fee. Additionally, a to-go drink stand, “Tonari Stand” (となりスタンド), serves craft cola and other beverages and snacks. Occasionally, Tonari hosts outdoor events, such as food stalls, utilizing the open space in front of Tonari. In addition to the shared space, Sento Gurashi operates another apartment building in Koenji and a satellite shared space for Tonari members, further promoting the same concept of “a life with sento” (Kato, 2023).

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Figure 10. Ami Shirai,

the manager of Kosugi-yu Tonari

Figure 11. Exterior view of

Kosugi-yu Tonari

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Figure 12. Exterior view of

Kosugi-yu located next to Kosugi-yu Tonari

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          Tonari consists of three floors. Even though there are no specific names for each floor, as they can be used freely by members, they are informally referred to as follows by the company:

  • 1st Floor “A living room-like space”: Features a large dining table in the center, with small tables and chairs along the walls.
    A standout feature is the kitchen, which is available for all members to use (see Figure 13).

  • 2nd Floor “A study room-like space”: A tatami room with counter seating by the window and a chabudai (low table) in the center.
    It functions as a quiet room for focused work or study (see Figure 14).

  • 3rd Floor: A private room where members can have online meetings or spend personal time.
    The room is 6 tatami mats in size and includes a balcony. Members can make reservations for this room (see Figure 15) (Kato, 2023).

Figure 14. The 2nd floor: “A study room-like space”

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Figure 15. The 3rd floor

Figure 13. The 1st floor: “A living room-like space”

The dining table in the foreground, and the kitchen in the background

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          The rest of the paper is organized as follows. Chapter 2 and 3 each present a literature review discussing the historical social functions of public baths, along with the decline in connectedness and a deteriorating sense of belonging in Japanese society. Chapter 4 explores theoretical frameworks and how they align with the objectives of the sento environments under study in promoting individuals’ connectedness and fostering a sense of belonging. Chapter 5, 6, and 7 provide a summary and analysis of the fieldwork findings for each case study. Chapter 8 offers the conclusion, followed by a discussion of limitations and suggestions for future research in Chapter 9.

Tokyo Sento 
東京銭湯

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